Movies often use light not just to illuminate a scene, but to shape mood and meaning. Some of FLOS’s most recognisable designs have quietly stepped into this role, appearing on screen as part of the visual storytelling. Their presence isn’t accidental — these pieces bring a distinctive character, whether it’s a sharp modern edge or a soft atmospheric glow. In film, they become more than lighting: they help define the space, the tone, and even the emotions of the moment.

The Flos Arco Floor Lamp, designed in 1962 by Achille and Pier Giacomo Castiglioni, has become one of the most recognisable icons of modern design. Its sweeping arc and solid marble base give it a sculptural presence that transcends function, making it a favorite not only in interiors but also on the silver screen. The Arco lamp appeared in the Bramford apartment building in New York City in Apartment 7A, where its elegant silhouette added depth and atmosphere to the setting. It also illuminated the sophisticated interiors of Tony Stark’s house in Iron Man, reinforcing the character’s world of innovation and style.

The Flos Bellhop Table Lamp, designed by Edward Barber and Jay Osgerby, has quickly become a modern classic with its sleek, portable form and soft, atmospheric glow. Originally conceived for the London Design Museum, the Bellhop has since found its way into homes, galleries, and even the world of cinema. Its appearance in the Nordic Noir TV series Face to Face underscores its versatility — the lamp’s understated design fits seamlessly into the moody, suspenseful aesthetic of the show.

Ktribe Table Lamp by Flos has become a cinematic design icon, appearing in films that showcase its refined elegance. In Avengers: Age of Ultron, the lamp is prominently featured in the party scene, positioned in front of Tony Stark (Robert Downey Jr.), where its warm glow complements the sophisticated atmosphere of Stark’s world. Beyond the Marvel universe, the Ktribe also made an appearance in Wild Bill, further cementing its role as a versatile piece that blends seamlessly into diverse storytelling environments.

The Mayday Lamp, designed by Konstantin Grcic for FLOS, is a perfect example of functional design elevated to iconic status. With its industrial-inspired form and versatile usability, Mayday has become a staple in contemporary interiors. Its cinematic presence was recently spotted in The Architect, where it illuminated Marcus and Nina’s apartment.

The Snoopy Lamp, designed in 1967 by Achille and Pier Giacomo Castiglioni, continues to bring playful sophistication to interiors and, increasingly, to the world of film and television. In The Drama, an orange Snoopy lamp adds warmth and character to Charlie and Emma’s Boston apartment, its cheerful glow contrasting with the emotional tension of the story. Meanwhile, in The Trouble With Jessica, a green Snoopy lamp injects a dash of playful modernism into Tom and Sarah’s home, underscoring the lamp’s versatility and timeless appeal.

The Tab Table Lamp, designed by Edward Barber and Jay Osgerby for FLOS, is a study in clean lines and functional elegance. With its minimalist silhouette and precise beam of light, Tab embodies contemporary design that is both practical and expressive. Its cinematic presence was seen in the agents’ office in the TV series Ten Percent, where its understated form complemented the professional, modern setting.